Squinch (uno) – Mandy Ridley
EXHIBITION DATES: 27 AUGUST – 17 SEPTEMBER 2010
OPENING: FRIDAY 27 AUGUST 6pm
ARTIST TALK: SATURDAY 4 SEPTEMBER 4.30pm
ABOUT THE EXHIBITION
Squinch is an architectural term that describes a small arch or vault, placed diagonally across the corner of a square or rectangular room and serving as an intermediary between this and a round superstructure. The transition between square or rectangular rooms and round domes was one of the chief problems of Islamic Architecture. (Barrucand, M & Bednorz, A. 2007. Moorish Architecture in Andalusia. Koln: Taschen, p. 230).
For Mandy Ridley, a short-term residency at LEVEL has provided just such a transition zone within her own art practice. Working with materials collected during research in Southern Spain, Ridley has developed imagery that expresses her fascination with the cultural convergence that blossomed during the 700-year period when Andalusia was under Islamic rule. This confluence of traditions resulted in a sophisticated hybrid culture. The work continues Ridley’s ongoing investigation into translation and the fluidity of cultural identity; in particular the expression of world-view through material culture.
Mandy Ridley Squinch (uno) 2010. Image courtesy the artist. Photo: Rod Buchholz.
Mandy Ridley Squinch (uno) 2010. Image courtesy the artist. Photo: Rod Buchholz.
Mandy Ridley Squinch (uno) detail 2010. Image courtesy the artist. Photo: Rod Buchholz.
Mandy Ridley Squinch (uno) 2010. Image courtesy the artist. Photo: Rod Buchholz.
Mandy Ridley Squinch (uno) detail 2010. Image courtesy the artist. Photo: Rod Buchholz.
Mandy Ridley Squinch (uno) detail 2010. Image courtesy the artist. Photo: Rod Buchholz.
Rachael Parsons in conversation with Mandy Ridley 20 August, 2010.
Mandy Ridley is an Australian artist who uses diverse materials to create work for both gallery exhibitions and public spaces. Taking a brief moment away from her current residency at Level for a cup of tea and chat, Mandy discusses her travels, Islamic art, architecture, church bells, mosque lamps, Squinch, smoko and her upcoming exhibition, and how all these elements are entwined through a passion for patterns. Download the full interview here: Mandy Ridley
Mandy Ridley’s work has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body and by the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.